Marvel's Eternals brings new perspectives and firsts to the MCU

Written by guest writer Pam Renteria:

Phase Four of the Marvel Cinematic Universe is about to expand and reinvent the way we think we know Marvel Super Heros. Eternals is the newest project to come from Marvel Studios and it brings with it an award-winning director, star-studded cast, and an overall storyline that many fans aren’t familiar with. When the AAAFF staff asked me to write this piece, I was THRILLED. We worked together this past summer to bring the special premiere of NIGHT ON SIXTH to the Long Center for the 2021 festival. It’s been such a pleasure getting to know the team and there’s nothing I love more than giving my (long-winded) elevator pitch as to why friends (we’re friends now, btw) should check out the latest Marvel movie. Here’s everything you need to know. 

Chloe Zhao - From Marvel fan to being the first woman of color to direct a Marvel film

Back when Chloe Zhao and Nomadland were on the brink of winning the Oscar for best director and picture, many Marvel fans were celebrating the fact that Eternals would be the first MCU film to be directed by a woman of color. It’s reported that in 2018 Zhao was initially meeting with Marvel to work on Black Widow, but due to timing, she had to bow out of the project to go film  Nomadland. Once a list of directors was being put together for Eternals, Zhao came to everyone’s mind due to her love for the MCU and distinct visual style. The rest, as they say, is history! Zhao is incredible and is no stranger to breaking barriers in the industry. Having a director that is a fan and understands this universe is the cherry on top! I cannot wait to see her vision of the Eternals story and how the film will handle several “firsts” for the studio. 

P.S. Let it be known that Captain Marvel 2 is currently in production and is being directed by the one and only, Nia DaCosta!! 

(Fun Fact: Did you know Zhao was originally going to put “Nomadland” on the shelf to work on “Eternals” but the COVID shutdown gave the director the chance to finish the movie AND win an academy award?? The universe works in mysterious ways, my friends.) 

More inclusion and representation to the MCU 

Frankly, I am SO excited for this new phase of Marvel films. With the introduction of Simu Liu as Shang-Chi in Shang-Chi and the Legend of the Ten Rings and now the cast of the Eternals; Marvel fans are able to see themselves represented in characters now more than ever since the release of Black Panther

Eternals brings together one of the biggest, majorly star-studded, and most diverse cast for any Marvel project. This film will be the first to feature a gay superhero (Brian Tyree Henry as Phastos), a deaf superhero (Lauren Ridloff as Makkari), and a South Asian superhero (Kumail Nanjiani as Kingo.) This representation has never been seen before in the MCU and goes to show how much Marvel Studios is intentionally trying to break away from the mold it created in phases 1-3. (Personally, I am so excited to see Salma Hayek in the gender-flipped role of Ajak - the wise and spiritual leader of the Eternals.)

In a recent interview, Lauren Ridloff explained that when she got the offer for the role of Makkari, she accepted because the movie would allow her a platform to speak up for people who have been marginalized. I couldn’t agree more and think it’s about time we see these types of characters and backgrounds in more superhero movies. 

Remember the releases of Black Panther and Spider-Man: Into the Spider-Verse and how we saw how happy our community was to see themselves on the big screen? We need more of that. We need more movies that will tell the stories of marginalized communities in an effortless way that won’t feel forced. We need characters that will represent the world we live in. 

(For feels: Check out this clip in an interview Salma Hayek and Kumail Nanjiani did recently with Jimmy Kimmel explaining how excited, proud, and emotional their families were to hear they were in the film.)

Pam, what is this movie even about?

Even longtime Marvel fans may not be too familiar with the Eternals and their role in the Marvel Universe. The story is pulled from a limited-run comic series from the mid-1970s and was revived by Neil Gaiman in the mid-2000s - which helped bring these characters into the modern Marvel universe. Eternals is set to introduce fans to a new part of the Marvel lore and explore beings called the Celestials, Deviants, and Eternals. Extremely long story short, the Celestials are the creators of the Deviants and the Eternals. The Eternals are beings that look like humans yet possess abilities like flight, mind-reading, unbelievable strength, and endurance. These superpowers make them indestructible and immortal. The Deviants are grotesque creatures with genetic mutations that clash often with the Eternals, who have been assigned to be the protectors of Earth and its inhabitants for the past 7,000 years.

The movie is set to explore the aftermath of the events of Avengers: Endgame and force the Eternals to come out of the shadows to reunite against the Deviants. Viewers will also witness some of the most crucial moments in the history of humanity and how the immortal beings influenced them.

To me, the bigger question this movie will answer for moviegoers is “Why didn’t the Eternals do anything to protect Earth from Thanos? And why are they just now coming out of hiding?” 

(If you’re new to all of this, Thanos was the villain of the first three Marvel phases and he basically got rid of half of the universe’s population in order to “bring balance.” Super problematic, but the Avengers saved the day! The population was restored and now this new phase will explore the aftermath of Thanos’ actions.) 

To answer the biggest question you may have: this film is a primarily standalone story. You won’t need to pull all-nighters to watch all of the previous MCU movies to understand Eternals.

LONG STORY SHORT: Go watch Eternals and support stories with marginalized characters.

As you can tell, I’m a huge Marvel fan. I could talk about the characters, their stories, and the easter eggs in movies all day long! But I’m also a woman of color that doesn’t see much representation of myself in the Marvel Universe I love so dearly. On one side, I’m thrilled about the route the MCU is taking and the diverse stories we’re going to see moving forward. On the other, I know that in order for the film industry to continue making these stories, it’s up to us to support these films and show that these types of characters matter. 

It’s up to us to set the stage and show that everyone deserves to see their story be told no matter race, gender, sexuality, or disability. Everyone deserves to see themselves as a superhero.

Let’s support these characters, cast, and crew the best way we know how. Watching the movie five times opening weekend! (Or once is fine too!) 

Eternals hits theaters November 5.

Austin Film Festival is Almost Here! Check out these Asian and AA/PI Films at AFF 2021

Austin Film Festival starts on October 21 and ends on October 28, and we wanted to give you a heads up about all the Asian and AA/PI films they will be screening! Take a look at badges and passes here, and check out what other awesome programming they have for their 28th edition.

The Austin Asian American Film Festival has partnered with the 28th Austin Film Festival to offer discounts for their Film Passes and Badges to screen over 200 films in-person, and over 50 films virtually. If you’re able to attend in person, make sure to check out the short film “Good News” by Osric Chau who was featured at our 2019 Austin Asian Film Festival as an actor in “Empty by Design” which was shot in the Philippines.

CLICK HERE to use promo code AAAFF5 for $5 off Film Pass at checkout!

Can’t attend in person? CLICK HERE to use promo code AAAFF10 for $10 off Virtual Badge at checkout!

Happy movie watching! 


 

CICADA (South Korea, 122 min)

The story revolves around a master of the traditional funeral play called Jindo Dasiraegi. One day, his daughter returns home years after she left, saddled with debt. Their relationship remains uneasy as she is still in agony over the death of her mother in total disregard of her father, as his heart and soul were dedicated to performing Dasiraegi.

Writer/Director: Chung-ryoul LEE

Cast: Yang-hee LEE, Bo-bi JU, Yeon-woo SEO

Screening(s): Tuesday, October 26, 10:00 PM at Paramount Theatre

ONE SECOND (China, 104 min)

A movie fan in a remote farmland strikes a relationship with a homeless female vagabond.

Writer: Yimou Zhang, Jingzhi Zou

Cast: Yi Zhang, Haocun Liu, Wei Fan, Xiaochuan Li, Yan Li, Yunlong Liu

Screening(s):Wednesday, October 27, 10:30 PM at State Theatre

 

TORao (Japan, 102 min) 

While conducting research for a college project, Kayako befriends a lonely, retired detective who can’t stop pondering his unsolved case out loud, Torao. Taking an interest in the case, the two embark on a journey to solve the mystery of a small town.

Writer/Director: Kazuya Murayama

Cast: Torao Nishimura, Sakiko Kato, Ayano Ogata, Tomoya Kono, Masaaki Kono, Kazue Minami

Screening(s): Sunday, October 24, 6:00 PM at St. David’s and Wednesday, October 27, 8:00 PM at Galaxy Highland

GO TO KILL (South Korea, 95 min)

After her husband falls into a vegetative state, a woman does everything in her power to make ends meet - even if that means cutting off chickens’ heads or becoming a hitwoman.

Writer/Director: Nam Won Park 

Cast: Yun-sl Choi

Screening(s:) Saturday, October 23, 8:30PM at Galaxy Highland and Tuesday, October 26, 3:15PM at Galaxy Highland

KARMALINK (Cambodia, USA, 102 min)

In near-future Phnom Penh, a teenage boy teams up with a street-smart girl from his neighborhood to untangle the mystery of his past-life dreams. What begins as a hunt for a Buddhist treasure soon leads to greater discoveries that will either end in digital enlightenment or a total loss of identity.

Writer: Jake Wachtel, Christopher Larsen Director: Jake Wachtel

Cast: Leng Heng Prak, Srey Leak Chhith, Sahajak Boonthanakit, Cindy Sirinya Bishop, Rous Mony, Sveng Socheata

Screening(s:)Thursday, October 21, 10:45 PM at State Theatre

GOOD NEWS (Canada, 14 min) 

Happily married without kids and intent to focus on his career, Ryan struggles with the news of an unplanned pregnancy and his wife Nicole’s decision to keep it. When the doctor diagnoses his wife with cancer, it leaves Ryan wanting nothing more than to have a child with Nicole.

Writer/Director: Osric Chau

Screening(s:) Sunday, October 24, 7:00 PM  at Rollins Theatre and Tuesday, October 26, 4:30PM Rollins Theatre

ANGEL (Taiwan, 17 min)

After a girl goes back to a guy’s apartment on their first date, the romantic evening takes a horrific turn when an AI digital assistant reveals to the girl that the guy plans to murder her and provides evidence of his evil intentions.

Writer/director: Dicky Chalmers

Screening(s): Saturday, October 23, 7:15PM at Rollins Theatre and Tuesday, October 26, 11:00 PM at Rollins Theatre

 

FOILED (USA, 11 min)

Foiled is a family comedy about ten-year-old Dylan and his younger brother Cody who accidentally rip their best friend’s baseball card. They must fix it otherwise they'll lose their best friend and never get to play baseball again. 

Writer/Director: Hao-Wei Timothy Chang

Screening(s): Sunday, October 24, 12:15 PM  at Rollins Theatre Tuesday, October 26, 5:45 PM at Galaxy Highland

ATONEMENT (India, 132 min)

PANGHRUN (ATONEMENT) is a love story which takes place in this dark age, when women could do no more than honor their family name, fall in love with a person chosen for them by someone else, and remain faithful to him at any cost. Inspired by a short story by the renowned poet and author B B Borkar, PANGHRUN (ATONEMENT) is a tragic tale of love, compassion, and ultimate sacrifice one will make, to have a shot at redemption.

Writer/Director: Kazuya Murayama

Cast: Torao Nishimura, Sakiko Kato, Ayano Ogata, Tomoya Kono, Masaaki Kono and Kazue Minami

Screening(s): Sunday, October 24, 6:45 PM at Hideout Theatre and Monday, October 25, 1:00 PM at Galaxy Highland

STEREOTYPE (Republic of Korea, 16 min)

Beak A war has been settled down, but a conflict against each other is still escalating

Writer/Director: Nahyun Beak, Dahyun Beak

Screening(s): Sunday, October 24, 4:30 PM at Galaxy Highland and Monday, October 25, 8:15  PM  at Hideout Theatre

THERE YOU ARE  (USA, 6 min)

After her mother’s death, Su hopes to reconnect with her father during their traditional camping trip on his birthday, but when he cancels it, she is forced to deal with her unresolved grief.

Writers: Rui Huang, Rong Deng Director: Rui Huang

Screening(s): Sunday, October 24, 4:30 PM at Galaxy Highland and Monday, October 25, 8:15 PM at Hideout Theatre

THE ATOMIC SPAWN (USA, 14 min)

In 1952 while working in a nuclear test site, John discovered a small irradiated egg. As his boss uses John as a hasty human test subject in a fallout shelter, the egg hatches to reveal a mutated lizard that’s hungry and growing larger. Now John must work quickly to keep the atomic spawn from destroying his shelter while the threat of radioactive fallout looms outside.

Writer/Director: Arthur Veenema

Screening(s): Thursday, October 21, 10:15 PM CDT at Rollins Theatre and Thursday, October 28, 4:00 PM CDT at Rollins Theatre

WEATHER IS LOVELY (China, 14 min)

A cloud maker and a researcher in a weather observatory accidentally cross paths and end up joining forces to stop a water-thirst cloud monster.

Writer: Pohan Lee/Chun-Chien Lien Director: Chun-Chien Lien

Screening(s): Sunday, October 24, 12:15 PM at Rollins Theatre and Tuesday, October 26, 5:45 PM at Galaxy Highland

The Talent Behind Shang-Chi + Private Screening Giveaway!

You might’ve heard about a little Marvel movie coming out this weekend by the name of Shang-Chi and the Legend of the Ten Rings. It’s the first Marvel Studios movie featuring an Asian American director and a predominantly Asian and Asian American cast. So we are hyped, to say the least. But if you need any more reasons to watch Shang-Chi, just check out the cast of both legendary and rising stars.

Details about a private screening giveaway at the end!

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Simu Liu

Before he was announced as the MCU’s first Asian American superhero at Comic-Con (introducing himself first in Mandarin, no less!), he was showing off his abs in the hit show, Kim’s Convenience. Ever since, he’s been getting more and more love leading up to the release of Shang-Chi. Of course he is, the guy is charismatic, well-spoken, and in great shape. Simu is basically a superhero already - no wonder he was cast.

Check out Liu in: Kim’s Convenience, Blood and Water

If you need further proof of his martial arts prowess, check out this fun short he tweeted.

And if you’re wondering if he’s funny, Simu collaborates often with Wong Fu Productions, including this classic.

Or listen to the They Call Us Bruce podcast when he visited Austin for SXSW.


Awkwafina/Nora Lum

Every Marvel movie needs a character to bring in the laughs and there’s no one better than Awkwafina. She did it in Crazy Rich Asians and she does it in her current Comedy Central show, Awkwafina is Nora from Queens. But don’t get it twisted - she’s got range, too. She can play Danny Devito in Jumanji: The Next Level, but also be gut-wrenching in the Lulu Wang indie drama The Farewell.

Check out Awkwafina in: The Farewell, Awkwafina is Nora from Queens, Crazy Rich Asians, Her hosting SNL

Awkwafina has plenty of hilarious things on YouTube, but even this simple promo video of her carting around the Shang-Chi cast is fun.


Tony Leung

He’s only one of the greatest living actors. So he really needs no introduction, and if you’ve seen a Wong Kar-wai film, it’s likely you’ve witnessed him share his craft in classics like Chungking Express or In the Mood for Love. Perhaps it was John Woo’s action-packed Hard Boiled that introduced you to Leung; or the spicy love scenes in Ang Lee’s Lust, Caution; or his kung-fu prowess in The Grandmaster. Either way, Leung has had a long and illustrious career and we’re extremely excited that he has brought his talent to the states with this highly anticipated Marvel role.

Check out Leung in: In the Mood for Love, Infernal Affairs, Red Cliff, Hero, and Flowers of Shanghai

Deleted footage of Tony Leung and Maggie Cheung adorably dancing, just because we want to.

Tony discussing his characters with GQ (class photos/article by them, too)


Michelle Yeoh

Before she was a badass, intimidating mom in Crazy Rich Asians, Yeoh was noticed in beauty pageants and then became a badass in martial arts movies, even doing her own stunt work. So while she clearly can bring the glamour, she backs it up with serious fighting skills, too. Yeoh nailed one of her earliest starring roles in Yes, Madam and went on to work with the likes of Jackie Chan and notable choreographer Yuen Woo-ping. Her execution of Yeun’s fight choreography in Crouching Tiger, Hidden Dragon was especially praised globally. She’s already an icon, so adding her to the MCU only makes sense.

Check out Yeoh in: Yes Madam, Crouching Tiger Hidden Dragon, Tomorrow Never Dies, Crazy Rich Asians

An amazing fight scene from Yeoh’s early work in Yes, Madam.

In her first on-screen performance, she teamed up with Jackie Chan for this cute watch commercial.


Ronny Chieng

Some of the funniest, most important Daily Show pieces star Chieng. His hilarious take on society and current events help audiences process, laugh, and feel angry about the state of things. His most known segment for the show came when he tackled a racist depiction of people in Chinatown that was aired on The O’Reilly Factor. It’s not always easy to navigate and discuss upsetting things like that, but Chieng does it with fire and wit. His appearance in Crazy Rich Asian and his Netflix comedy special Ronny Chieng: Asian Comedian Destroys America are indications that he’s only just starting.

Check out Chieng in: The Daily Show, Crazy Rich Asians, Ronny Chieng: Asian Comedian Destroys America


Andy Le

Le may not be as well known as his colleagues, but he’s quickly making his mark in action-packed projects, like Quoc Bao Tran’s indie hit The Paper Tigers. In Shang-Chi, Le plays Death Dealer, a masked henchman of Leung’s and the trainer for young Shang-Chi. A stuntman and trainer in addition to his acting prowess, the Vietnamese American actor has the chops to take Hollywood blockbusters by storm, and like his co-star Liu, he too loves to wow everyone with impressive backflips!

Check out Le in: The Paper Tigers, Wu-Tang: An American Saga

Check him out on his YouTube channel Martial Club, where he and his brothers Brian and Daniel Mah show off their cunning moves.


Destin Daniel Cretton

The first Asian American director of a Marvel movie. That’s quite an achievement, but not a surprise. Cretton is already a seasoned filmmaker who worked with high profile actors like Brie Larson and Michael B. Jordan. So when it comes to helping such a huge project with a talented cast, he’s up to the challenge. His breakthrough movie came in the form of the 2013 indie darling, Short Term 12, which he adapted from his own short. We highly recommend you check that out if you’re ready to cry and feel all the things.

Check out these movies directed by Cretton: I Am Not a Hipster, Short Term 12, Just Mercy


Shang-Chi and the Legend of the Ten Rings is in theaters now! You likely already have tickets, but if you don’t, find where it’s playing near you here. Let’s make it one of the biggest Marvel movies ever.

We’re also giving away a private screening to one lucky winner and their friends/family to watch SHANG-CHI in their own theater room (Austin only). Stay tuned to our Instagram to enter!

Announcing the Winners of 2021 AAAFF!

2021 AAAFF Documentary Winners

Doc Jury: Matthew Monagle, Robert Sims, Cecilia Lai

Feature Winner, Radiograph of a Family

Few documentaries are as adventurous in form as Radiograph of a Family, the biographical film from Tehran-based filmmaker Firouzeh Khosrovani. Period footage, scripted conversations, and archival media combine to craft a textured look at a woman working towards an uncertain future. In deconstructing family and country from the inside out, Khosrovani also presents an ethereal snapshot of the Iranian Revolution and the disconnected systems of values that left the country ripe for change. Her exploration of her family's shifting dynamics is as challenging as it is beautiful, assembling a tragedy from the fragments and pieces that one mother left behind.

Shorts Winner, Atomic Café: The Noisiest Corner in J-Town

Too often, the Asian-American experience depicted in Hollywood is the experience of the other. Not so in Atomic Café: The Noisiest Corner in J-Town. In this documentary from Akira Boch and Tadashi Nakamura, Atomic Nancy reigns supreme, a second-generation restaurateur who turned her family business into the epicenter of Los Angeles’s 1970s punk scene. This vibrant short offers only a brief glimpse into the world of sex, drugs, and rock-and-roll that put her establishment on the map, but one thing is clear: the ‘70s belonged to the Atomic Cafe. The rest of L.A. just did its best to keep up.


2021 AAAFF Narrative Winners

Narrative Jury: Luxy Banner, Lisa Dreyer, Ananyaa Ravi

Narrative Shorts

Winner, Lucy Dreams 

The short film Lucy Dreams defies the ‘shot during quarantine’ restrictions and tropes, with nary a recorded Zoom call in sight. Director Elaine Chu has crafted a tense psychological thriller, ramping up the tension with visuals that grow gradually more and more disturbing. With impressive sound design, imaginative use of a single space, and tight pacing, Chu has an impeccable eye for detail and storytelling.

Honorable Mention, Fishbowl

Director Annie Ning’s Fishbowl is an emotionally honest, beautifully-acted film that resonates on a universal level.

Narrative Features

Winner, Inbetween Girl 

Inbetween Girl’s emotional and honest storytelling crafts an endearing coming of age story that captures the nostalgia of growing up without feeling trite or out of touch. This impressive directorial debut by Mei Makino balances charming visuals and a breakout young cast that stole our hearts in this fresh and vulnerable story of growing up and finding yourself. 

Honorable Mention: Fan Girl

Our Honorable mention pick goes to Fan Girl, an inventive and thrilling story that keeps audiences on the edge of their seat.

Get to Know 2021 AAAFF Shorts Narrative Filmmakers

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Only a few days left until AAAFF 2021 comes to a close. ICYMI: Our short programs are free or by donations. This year we had 10 documentary shorts and 20 narrative shorts spanning from many different countries. Take a look at our shorts guide here and look no further than this post to get to know our filmmakers better. Explore more about the people behind our narrative selections:

HELLO FROM TAIWAN 

After a year of separation, a young Taiwanese American girl and her mom struggle to reconnect with her dad and two older sisters across familial and cultural divides.

What connections do you want the audience to make with your film?

Tiffany Frances, Director: I wrote a single scene from one of my earliest childhood memories, when I re-met my sisters and dad at the San Jose Airport after a year of being separated from them. I was so young that I only vaguely remembered them, and we could only say the words “hi” and “hello” to each other, because they had gotten used to speaking Mandarin. Then my dad passed away a few years ago, and I felt a drive to explore who my parents were, even before I was born. The story evolved to something I desired to see on screen because I felt strongly other people could relate to this too. I really wanted to capture a specific immigrant experience but also the struggles we all had within my family, even in different ways. As minorities in the US, there was an additional layer through our upbringing and as a family going through a divorce.

LUCY DREAMS 

A woman experiments with lucid dreaming to find her missing daughter.

What inspired you to make this film?

Elaine Chu, Director: I spent a month Sheltering in Place in a home with a long, creepy hallway that gave me nightmares at night. I channeled this anxiety into my writing. Eventually the idea of Lucy Dreams came to me while I was searching for relaxing music, and I stumbled upon some music for lucid dreaming.

IKAW AT AKO (YOU AND I)

Marco and Elisa meet for one night in Los Angeles after not seeing each other for over twenty years, sparking dormant feelings they never confronted in their youth.

What inspired you to make this film?

Melanie Lim, Director:Second chances are rare. For most of the things we regret, there's a prepared script in our heads that we've rehearsed over and over just in case we're given the opportunity to redeem ourselves. Ikaw at Ako is dedicated to anyone who hopes for a final encounter with the love they let slip through their fingers.

BLUE SUIT 

When a surprise party interrupts his plans, an anxious man has to find a private moment to confess his feelings for his friend before he moves away the next day.

How do you personally connect with Asian/Asian American culture?

Kevin J. Nguyễn, Writer & Director: I'm a Vietnamese son of immigrants. Every part of who I am has been informed by Asian culture. It's personally important to me to continue to uphold the values and experiences that my ancestors have laid the foundation for while building on top of it with my own story being Asian American.

UNPOT

A woman with Alzheimer's disease describes her last day before she is sent to a nursing home. For her children and others around her, she is a problematic old lady, but she has her own world and her last desires.

Why did you decide to submit to AAAFF?

Huieun Park, Director: Back in 2015, I met some staff from AAAFF when I visited Austin for the screening of my film, Two Lunes, at the Austin Film Festival. I had a great time with them and that experience made me want to become a part of the AAAFF community.

SIXTEEN 

Yaejin Kim lives in a gauzy, hormonal daydream, dilly-dallying on the streets and in the sheets, with her boyfriend Wes However as their one year anniversary looms, things crumble into chaos.

How do you personally connect with Asian/Asian American culture?

Nahyeon Lee, Director: I personally feel a lot of strain with my Korean heritage. I grew up in Aotearoa/ New Zealand for the majority of my life, and my relationship has been in constant flux. There are areas that I adore, like the food and pop culture, but elements like language and conservative and filial world views that I struggle with. This film is an exploration of my experiences growing up in New Zealand as a Korean teenager.

PARABOLA 

Makoto, a Japanese American single mother struggles to reconcile with her estranged father, Musashi, following his recent release from prison. But Musashi's former life as an enforcer for the Yakuza casts a long shadow over both their lives and history has a way of repeating itself.

What inspired you to make this film?

Lee Shorten, Writer/Director: We’ve often seen the Yakuza in American films but they’re usually one dimensional villains. I grew up watching a lot of Italian American Crime Dramas and the characters were always so rich and complex so I wanted to humanize Asian American crime families in a similar way. I also wanted to give Mayumi Yoshida and Hiro Kanagawa a chance to explore roles they don’t usually get to, to play against type or in Hiro’s case subvert his body of work.


OUT OF ORDER

When a man awakens, hungover, in a hotel room and realizes he cheated during a drunken night, a sinister stairwell forces him to tell the truth or risk everything.

What are your hopes for the future of Asian/Asian American cinema?

Trevor Zhou, Director/Writer/Actor: I hope Asian cinema continues to be recognized on the world stage. I hope that Asian American cinema will be as celebrated and visible as white cinema. I see both pushing the boundaries of the art form and confront the rigidity of Hollywood.

THE UNSEEN RIVER

Stories told along the river: a woman reunites with her ex-lover at a hydroelectric plant; meanwhile, a young man travels downstream to a temple in search of a cure for his insomnia.

What inspired you to make this film?

Phạm Ngọc Lân, Director: The Unseen River examines the metaphorical connection between the Mekong River, time, and sleep: In various art forms, the river is often compared to the flow of time. In that way, the characters’ journeys downstream and upstream are metaphors for their journey through time. In this short film, MRS. NGUYỆN travels upstream to visit her former place of work (an old hydroelectric plant). Based on the reading above, her journey can be understood as moving backward through time to an event in the past that shaped her subsequent life, just like how the hydroelectric dam blocked and redirected the river. In the other storyline: a young couple – THỰC and his GIRLFRIEND, in the same way, travels to the future in search of a cure for a present ailment (insomnia). An absurd and illogical choice of youth, but just as one character says: the worst thing about not being able to sleep is not being able to dream. And without dreams, it’s difficult to see the past and feel the touch of the future.

FAR FROM ABROAD 

A young woman from Korea struggles to settle down in her new home in Germany due to her lacking language skills. When she befriends a Korean-German woman she sees a way to escape her helplessness and loneliness. But her new friend doesn't seem to be as helpful as she pretends to be...

What connections do you want the audience to make with your film?

Hyung-Guhn "Hugo" Yi, Writer/Director: I hope that I can connect with the people who are going through exactly the same situation like the protagonist in my short film, telling them that they are not alone in their struggles. I also want to create an awareness to be patient and sympathetic to the people trying to assimilate in a foreign country.

FITNESS! or a story about SWEAT

A titillating spiritual comedy about seeking your joyful, deepest nature through technology, human connection...and sweat.

What inspired you to make this film?

Kana Hatakeyama,Writer/Director/Producer/Actor: The initial inspiration came from a day at the gym where it was a particular vibe and I couldn't stop giggling at all the different sounds people were making as they were working out, especially the men lifting the heavy weights, because they all sounded very sexual and it was everywhere, so I saw comedic potential there. Then I thought about how the trainer-client dynamic can be so interesting, depending on both the trainer's style and the client's needs, as well as the chemistry between them, and from there, I started thinking about modern American culture around fitness, how often times it becomes part of one's identity/brand, posting about workouts/diets/progress on social media, this crafting of our image on social media depending on what we want to project to other people, how much time everyone spends on these apps and how they are used (successfully or not) as attempts to fulfill certain needs, how sometimes more time spent on these apps can lead us further from ourselves and fulfillment and joy, and on and on, until all the pieces came together to explore these ideas in the weird way that I wanted to.

SORRY FOR THE INCONVENIENCE

In Los Angeles Chinatown, a lonely teenager tries to help her parents keep their seafood restaurant afloat during the COVID-19 pandemic. Between chopping green beans and packing takeout orders, she attempts to hang on to a semblance of normalcy by studying for her driver’s permit and prepping for her high school Zoom theater debut in “The Tempest”.

How do you personally connect with Asian/Asian American culture?

Jane Chow, Director: I was born and raised in Hong Kong, and my family is Cantonese. Now that I live in Los Angeles, I love spending time in places like Chinatown and the San Gabriel Valley, where I get to speak Cantonese and eat my favorite foods from home. I feel like I have a foot in both Hong Kong and Asian American culture, and I’m passionate about figuring out how best to serve these communities in my work and daily life.

SURVIVAL 

Min Xian, a young pop idol, goes back to her hometown when her career is stalled by a scandal suddenly. However, she finds her fear does not lose at all.

What connections do you want the audience to make with your film?

Manyu Yang, Director: To some extent, idol culture makes idol's lose their freedom. It is a product of Asian culture and capitalism. I wish the audience could think about how they control people in modern times.

A PERIOD PIECE 

Geetha, a control and order loving Indian-American woman, finally has sex with Vehd one afternoon but things quickly turn messy when period blood stains her pristine couch and a fight erupts mid-coitus, causing her pent-up feelings to spill over.

What are your hopes for the future of Asian/Asian American cinema?

Shuchi Talat,i Director/Writer: I want Asian and Asian American filmmakers to be allowed to tell many more stories that are not just about our identity. I want us to be able to make films that are simply about love, grief, disillusionment, envy. As an Indian woman filmmaker especially, I want the freedom to tell stories that are not just about our oppression.

LATA

Follow the life of a 22 year old domestic worker as she navigates her way through an upper class home in South Mumbai.

What is your film about?

Alisha Tejpal, Director/Co-Writer/Editor: LATA follows a 23 year old domestic worker as she navigates her way through an upper class home in South Mumbai. Doors consistently open and close, giving Lata selective access to the various contending realities that occupy this space. The film establishes an architectural blueprint of the ways in which space divides and restricts access. Lata quietly navigates these divides asserting her own, often unnoticed, agency.

BECOMING WATER

During her holidays, a girl saves a panda and takes care of the family's prayer shrine when she notices that a Buddha figure has disappeared.

What inspired you to make this film?

Claudia Tuyết Scheffel, Director/Writer/Producer: The Vietnamese language is influenced by the Confucian system. These hierarchies are reflected in everyday terms. For example, in a hetero-relationship, the woman is commonly referred to as the "younger" - and therefore lower in rank, while the man - regardless of his natural age - is considered the "elder". That was my first impulse when I built up the story around a girl who falls in love with a younger boy.

EXCUSE ME, MISS, MISS, MISS

Vangie, a miserable contractual sales lady, is about to lose her job. But in her desperate attempt to convince her boss not to sack her, Vangie uncovers the ultimate jaw-dropping secret to regularization.

What are your hopes for the future of Asian/Asian American cinema?

Sonny Calvento, Director: I hope it continues to flourish in all directions, but particularly in the independent space, where we're not trying to replicate tired, generic stories but rather introduce audiences to new perspectives, new ideas, and new ways of storytelling. Our cinema should be as diverse and as complicated as we are.

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